Feature
|
Comments
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Genre
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Horror/Thriller
|
Narrative
|
Voiceover in the form of dialogue is used via the protagonist, played
by Jennifer Lawrence, speaking over the action.
|
Unique Selling Point
|
For Robbie Collin, film critic for the
Sunday Telegraph, 10/09/17 offered the views for the film’s USP in ‘why
Hollywood needs mavericks not franchises’. The film divided audiences as it
seemed to be a grotesque funhouse reflection of a planet in crisis. The film
also has a menacing score from an Icelandic composer by the name of Johann
Johannsson. Aronofsky (the director) explains that the best part of the film
is the surprise of it. “It’s an intense journey… definitely the biggest rollercoaster
in the park”
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Target Audience
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The target audience of the film is that
it is aiming for a mainstream release through the fact that it features two
big Hollywood names, Javier Bardem and Jennifer Lawrence as well as being
directed by Darren Aronofsky of Requiem for a Dream and Black Swan fame.
|
Music
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The trailer is scored using short,
almost abrasive violin sounds that leave the viewer on edge and uncomfortable
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Shot types/camera angles
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Crane shots are used throughout to
depict the top of the stairwell, with High Angle shots depicting the lawn
with hundreds of people looking up with flashlights. Many reaction shots
signify the confused and surprised expression of the wife as the events of
the narrative unfold around her.
|
Pace
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The editing of the film is extremely
fast paced and often violently chaotic, as quoted by the film critic of The Independent
Nick Hasted
|
Dialogue
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The dialogue is almost exclusively
between husband and wife, with very little dialogue only reflecting key
moments that illustrate the increasingly restrained relationship between the
two as the wife starts piecing together what is happening
|
Voiceover
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A voiceover during the opening of the
trailer positions the audience as victims and makes us identify with the
struggle of the vulnerable wife and we experience the horror of her
surroundings from her point of view, thus the audience is positioned as
sympathetic to her character.
|
Special Effects
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Use of special effects included the
light bulb that seems to drip blood before exploding. Another CGI effect is
when a room seems to age before your eyes and wither and crumble whilst
losing colour and turning a shade of black and a wall seems to crumble before
Jennifer Lawrence.
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Credits and Intertitles
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Intertitles are used in an extremely warped
Italic font to represent a person hastily and scribbly writing which makes it
personal, as if someone is manipulating the young wife. They also come in
accompanied by the sharp violin and drum beats. (they are cut to the beat of
the music) It essentially assaults the senses and makes you feel
uncomfortable.
|
Wednesday, 13 September 2017
RESEARCH: MOTHER! TRAILER ANALYSIS
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